Thursday, March 12, 2015

Beyond car spotter the poetic analogies, the example of natural car spotter winemakers indeed offer

Wine like in the movies! | Lucid Dreams
This summer, under the Italian sun, sitting with friends 1 winemakers and his friend Gian Luca Farinelli around car spotter 2 bottles of natural wines, Jonathan Nossiter, with the help of Paula Prandini, made a film, almost spontaneously, to in situ explore how resistant winemakers could interact with the cinema. They were meeting to discuss a joint project under the Cinematheque of Bologna, car spotter and defend their vis-à-vis the DOC (Denominazion di origine controllata - AOC). Administrative standard that today, for example, a Chianti Tiezzi Giovanna and Stefano Borsa performed according to the Tuscan tradition in Chianti, from historical varieties, can not be called car spotter Chianti ...
The conversation was humorous car spotter anecdotes recounting the absurdity of industrial standards applied to local products to deeper car spotter considerations on the ratio of men to humus, history places and artisanal ethic creative gesture ... Gian Luca Farinelli, car spotter he, for his part, spoke of the need restoration, but not nostalgic, old films, the complex relationship between tradition and avant-garde, the importance of the hall to restore its function (social ) to the film. He was there because the Bologna film is soon to host Days of illegality where artisans from various fields must present car spotter their traditional and natural products, outsized reported by the official ... a form of joint resistance car spotter of the artisans Culture for the saved tastes. After these meetings college, Jonathan car spotter Nossiter and Paula Prandini, accompanied by their children and their dog 3 visited each of winemakers in their vineyard for more accurate car spotter portraits, most investigators, keeping the relationship alive their camera common, cheerful and scavenger, playing with objects and corners, gourmet car spotter organic life, had already spoken car spotter with the beings they film their world ... This gives moments of great visual minerality to daylight month August, when chemistry of men and the earth are given to see, naturally. Nobody seems to know a film turns, plans are part of the conversation, we are faced with a natural gesture, organically bound at the time, the camera underscores the lyricism and actions of each other, with no other intention, he seems to make a film possible. This is the time to cultivate in the visible field, as a vine of uncertain curves, such as air fingers women Botticcelli. Use the camera as a tool that works his land; life unprepared.
4 The film, made with the means at hand, which came out was "assembled" in freedom, in an experimental spirit that could see friends who Nossiter tasters did test some assemblies during punctual projections his work in progress. The filmmaker has documented film clips on the internet or elsewhere, according to current cultural practices, and dragged them to fit between the words of his friends became characters in his film -from their film. Kinds of reverse shots or Talmudic parerga to decipher as the film, these excerpts come from both honor a conformist cinema to varied tastes car spotter and offer, at times, against ironic examples car spotter ... never clearly car spotter readable at first glance, like natural wines that surprise the taste, they emancipate the curious palate of their own resources, they disturb the clear set of committed cinema and certainly open to a path it may be appropriate to the filmmaker to follow in the future a ... investigation of the independent film ... It is certainly suggests that the foundations he laid, in several languages, in Internazionale (Italy), Libération (French) car spotter and Globo (Brazilian car spotter Portuguese) for a manifesto calling a handmade car spotter movie could be called, in tribute to his initial inspiration, a natural cinema ...
Beyond car spotter the poetic analogies, the example of natural car spotter winemakers indeed offers a viable economic model for ethics and collective craft businesses that would double bereavement; the illusion of art in its individualistic romantic version where reigns the myth of the creative genius, 5 and that of the illusion of universal taste, commercial martingale that should find the "right" product of the cultural industry. The models of micro market, complimentary Adventure, crafts profitable enough

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